Showing posts with label Alternative. Show all posts
Showing posts with label Alternative. Show all posts

Monday, 24 February 2014

Flynndie Reviews: #44 Reverend and the Makers - Thirty Two


Written 24th February 2014

Reverend and the Makers – Thirty Two

The Band: Jon McClure (lead vocals/guitar), Ed Cosens (guitars/bass/backing vocals), Joe Carnall (bass) Jimmy Welsh (drums), Laura McClure (vocals/keyboards)

This week sees the release of Sheffield’s own Reverend and the Makers fourth album ‘Thirty Two’, their follow-up to 2012’s '@Reverend_Makers' (reviewed in Flynndie Reviews #28), which was a triumphant success for the band despite little mainstream radio airplay or television appearances and in my opinion a great-sounding, dance and Indie-pop record in itself.  While that third record’s title showed an obvious nod to social media site Twitter, their latest album title ‘Thirty Two’ is perhaps a hint at The Reverend; Jon McClure’s coming of age.

However, before we dive straight into the review of this album, I think it’s well worth a mention of how the band have gone about repaying fans that have invested in the new record via Pledge Music, with Jon and Ed actually taking the time out to tour round the country in a camper van and play intimate acoustic gigs in fan’s homes.  Yes this band actually come round to your house and play in your front-room!  I think this was a brilliant personal touch and a great gesture to repay the band’s die-hard fans known as the RevArmy and you can check out some video links of the small, fun and rowdy performances (one of which even included a marriage proposal! http://www.youtube.com/watch?v=7L7EJwL5AFM) at the end of this review.

Thirty Two

1. Detonator
2. I Spy
3. The Devil’s Radio
4. Nostalgia
5. Happy Song
6. Different Trains
7. Time
8. Old Enough (To Know Better)
9. Play Me
10. The Only One
11. Your Girl

‘Detonator’ launches the Reverend’s latest offering and with its sparkling synths and bass-heavy rhythm it makes no secret of the very much dance-vibe this album smacks of throughout while Jon is in full-flow with sexual innuendos “You’re no agitator/More a spectator/I’ll take ya somewhere/We can hit your detonator”.  With more industrial synths pumping away at it, ‘I Spy’ continues the early up-tempo melody of the LP with a chilled Ibiza Club rhythm coursing through its veins and some great verses “Tell me what are we doing here?/You control all my strings like a puppeteer/I’m a ship lost at sea but I’m yours to steer”.  This is a track that will sound great in the summer sun.  ‘The Devil’s Radio’ has a much more familiar Reverend and the Makers sound about it, fast and fun with a delightfully underlying Ska rhythm to it that sees the band much more at the roots of their sound from debut album ‘The State of Things’ and is a very much an instant track on the album, it’s lyrics suggesting that gossip is indeed ‘The Devil’s Radio’.

With brass-sounding synths, trumpets and steel-drums ‘Nostalgia’ has very much a jolly Reggae and Caribbean flavor about it and features a great, reflective opening line “We all love a little nostalgia/It isn’t what it used to be/Tamagochi, Trolls and Crocodile Dundee”.  Yes Crocodile Dundee himself gets name checked on the latest Makers record!  It’s a light-hearted track that bounces and flows and is likely to be a live favourite with its sing-a-long “La, la-la-la-la's” throughout.  ‘Happy Song’ is the slower, ballad track of the record and reminded me of ‘Sex with the Ex’ again from the band’s debut record, with a similar sound and pacing as that track and after the fast tempo of the opening four tracks this track sits well at this stage of the record.  ‘Different Trains’ picks up the pace again, another large-sounding upbeat track and sees vocal duties here shared between bassist Joe and Jon with each line through the verses “I invented penicillin while I found a plaster/I’ve got 50 caps, I’ve just got the one” before it’s chorus “And now the hare and the tortoise roll into town/There’s no need to worry, you don’t have to hurry/We’re two different trains”.  ‘Time’ has very electronic buzz about it and is another synth-driven track with a strong catchy bridge midway through it “Don’t ya wanna go outside/In the sunshine sometimes” and is another confidently assured Reverend and the Makers style track.

With another fast and urgent rhythm ‘Old Enough (To Know Better)’ is another solid track on the record with guitars and keyboards jamming along frantically as one while Jon belt’s out the track-title over the chorus “She says I‘mmmmm/Old enough to know better”, while ‘Play Me’ sees a sudden halt in pace on the record, featuring a piano ballad backed with lovely Beatles-esque string-sections and generally being an all-round charmer of a track.  ‘The Only One’ was previously the first single lifted off the album and is large sounding pure guitar-driven Indie-pop with a polished chorus “I want you to make me feel like I’m the only one/The only one” being perfect for radio airplay so get it out there!  Closing track ‘Your Girl’ was the first preview we got of the new Makers album, initially being made available as a download for those that pre-ordered the album from the Pledge Music site and what a closing track we have here.  With an industrialist, scuzzy, dirty rhythm and melody to it that smacks of the Prodigy from their ‘Fat of the Land’ days, this is a strong, buzzing closing track that doesn’t pull any punches “Your girl’s got you wrapped around her finger/And your girl is the reason that you don’t ring us…We’ve turned to calling you the pilot light/Because you won’t be going out tonight” and in my opinion this track sees the album finish on a real high.

So overall ‘Thirty Two’ seems like a fluid, natural progression from Reverend and the Makers’ previous album '@Reverend_Makers' and much like its predecessor has a positive banging dance-vibe at its core.  For me in particular ‘Detonator’, ‘The Devil’s Radio’, ‘Different Trains’ and ‘The Only One’ are all solid tracks and closer ‘Your Girl’ is a “proper banger!”  In particular, and as has always been the case with Reverend and the Makers’ records, Jon’s lyrics are intelligent and diverse almost somewhat poetic and again finds him on good form here.  For me the album doesn’t quite reach the heights of their debut record ‘The State of Things’ but this is still a good record and certainly a strong follow-up to '@Reverend_Makers' while tracks like ‘The Devil’s Radio’ and ‘The Only One’ would sound great with some radio airplay so get behind them.  Throw in some nice, gentle tracks (‘Happy Song’, ‘Play Me’), some underlying Ska (‘The Devil’s Radio’) and a Caribbean-Reggae influenced sound (‘Nostalgia’) and the record starts to show more range with a few more listens and I’m going award this one a solid 7 Detonators out of 10 and would recommend to go and check this album out!

Thirty Three
Flynny

Track 10 ‘The Only One’
http://www.youtube.com/watch?v=TAj5Plq4r9o

Track 11 ‘Your Girl’
http://www.youtube.com/watch?v=WgJcilSxXbo

Reverend and the Makers Newcastle house-gig #1 of #32HouseGigs
http://www.youtube.com/watch?v=Wh1ropH_VLY

Reverend and the Makers Whitehaven house-gig #5 of #32HouseGigs
http://www.youtube.com/watch?v=c7uqZKezdes  

‘Miss Brown’ acoustic private house-gig
http://www.youtube.com/watch?v=BEC3CPO5_D8
 


Band Website:
http://www.reverendandthemakers.com 

Monday, 15 April 2013

Flynndie Reviews: #37 The Bedroom Hour - X Marks the Spot


Written 15th April 2013:

The Bedroom Hour – X Marks the Spot

The Band: Stu Drummond (lead vocals), Rob Payne (guitar), Dan Rider (bass), Mark Dudley (keyboards), Lewis Cosham (drums)

Right ok, so today’s review comes from an up-and-coming London-based band I’ve been following on Twitter for some time now @thebedroomhour and with the band soon to release their debut EP, I’ve decided now would be a good time to review some of the tracks made available on their website (www.thebedroomhour.com), as the band captures a nice, haunting, guitar sound of which I’m sure regular readers may well enjoy.  So today’s review covers ‘X Marks the Spot’ and a few other tracks from the website of The Bedroom Hour.

X Marks the Spot

1.     X Marks the Spot
2.     Nocturnal
3.     Submarine
4.     Shadow Boxer

Opening with a nice, gentle guitar riff and up-beat percussion ‘X Marks the Spot’ see the band open with the haunting guitar sound hinted at earlier, before we first catch lead-singer Stu Drummonds softly-sung but immediately distinct vocals for the first time.  The track is clearly loving crafted as it gently burns into the soul of the listener with an ever-building guitar melody and a strong chorus “Cross my heart and hope to die/I promise to love you more than my life/If X marks the spot/Then let’s cross the heart”, as Stu shows a real depth to his vocal range throughout the track.  It’s a nice debut track, featuring a nice rocky guitar solo midway through the track and overall this reminds me a bit in sound of U2 from their ‘Joshua Tree’ era and to a lesser extent the sound captured by The Editors on their debut album ‘The Back Room’. 

Up next we have ‘Nocturnal’, which also features a gentle yet distinct guitar-riff from Rob playfully accompanied by keys from Mark, forming the main basis of the rhythm for the track.  Again backed with up-beat percussion and Stu’s softly sung vocals, the track features a nice chorus “See the satellites/Lie awake at night/Now I’ve become nocturnal/Sleep through the day/Just to get away/From the thought of you with someone” and despite what seems a downbeat chorus, the track overall has much more of an upbeat tempo and melody to it as a whole and as such is quite an uplifting track.  ‘Submarine’ is a beautifully, slow ballad by the band.  With heart-felt, haunting keyboards at the heart of the track, it really creates a deep, captivated melancholy atmosphere of its own and really reminded me of the type of classic sound captured from early Coldplay album ‘Parachutes’.  It’s a beautiful track and really caught my attention upon first listen.

Closing track ‘Shadow Boxer’ opens with modest percussion and a moody, tingling guitar rhythm as the first part of the track is virtually an instrumental with the guitar rhythm building as a whole.  As the track picks up full pace we hear Stu’s powerful vocals again with the repeated line midway through “Tell me what you see/Tell me what you see/Tell me what you see when you look at yourself and see the enemy”.  It’s another track by the band that slowly builds and creates an atmosphere before building to a powerful crescendo, there is plenty here to like.

So in closing, I’ve been impressed with these four tracks made available on the band’s website.  At present I think early, fair comparisons to the sound of The Bedroom Hour could be made to early-era Coldplay and Elbow in particular but there is no mistake the band have their own, very defined unique sound, Stu’s voice needs to be heard to be believed, he has a very powerful range.  The band have a got a few upcoming gigs at 229 The Venue in London soon, the next of which is 17th May to support their forthcoming debut EP, so feel free to get along and check them out as I think this band have a lot of potential and have them marked down as one to watch out for in the future!

Shadow Boxer
Flynny

X Marks the Spot
http://www.youtube.com/watch?v=mf2D5JC-GmE   

Band website:
http://www.thebedroomhour.com