Showing posts with label Noel Gallagher. Show all posts
Showing posts with label Noel Gallagher. Show all posts

Tuesday, 24 February 2015

Flynndie Reviews #54: Noel Gallagher's High Flying Birds - Chasing Yesterday



Written 24th February 2015

Noel Gallagher’s High Flying Birds – Chasing Yesterday

The Band: Noel Gallagher (lead vocals/guitar), Tim Smith (guitar), Russell Pritchard (bass), Mike Rowe (keyboards), Jeremy Stacey (drums)

Early March sees the return of the Chief, Noel Gallagher, with his band Noel Gallagher’s High Flying Birds and their second album ‘Chasing Yesterday’ with this week seeing the new album being streamed on iTunes via his website:


The band’s self-titled debut album was well received seeing Noel on good form and releasing a number of singles that again became popular sing-a-long anthems for fans ranging from the cheeky, brass band-stand sounding ‘Death of You and Me’ to the soft and tender but epic sounding opener ‘Everybody’s on the Run’ and a fine Noel acoustic number with ‘If I Had a Gun’.  The middle of the album featured a nice run of tracks, the heavenly divine ‘(I wanna live a dream in my) record machine’ before being followed by brilliant single ‘Aka… What a Life’ an upbeat number with a cool dance vibe about it and a progressive move away from the guitar-rock sound of Oasis.  ‘Soldier Boys and Jesus Freaks’ showed Noel doff his cap to The Kinks with a very ‘60’s guitar riff running through it while ‘Aka... Broken Arrow’ saw a semi-acoustic Noel at his finest.  I was lucky enough to get an early preview of a few new tracks when I managed to catch the band play a tiny warm-up gig at The Dome, Tufnell Park earlier this month and the early signs of the new material were promising.  So with the success of the debut album how does ‘Chasing Yesterday’ shape up for Noel Gallagher’s High Flying Birds?

Chasing Yesterday

1. Riverman
2. In the Heat of the Moment
3. The Girl with X-Ray Eyes
4. Lock all the Doors
5. The Dying of the Light
6. The Right Stuff
7. While the song remains the same
8. The Mexican
9. You know we can’t go back
10. Ballad of the Mighty I

With a short excerpt of Noel in the studio (a theme to be found throughout the record) ‘Chasing Yesterday’ opens with the soft, acoustic ‘Riverman’ a calm, gentle opener for the album, stripped-down with soft guitar from Noel and gentle backing bass and keys from Russell and Mike respectively.  Halfway through the track we have a nice guitar solo being accompanied by, in possibly a first for a Noel Gallagher record, a saxophone and this opener reminds me of the type of sound of Paul Weller’s ‘Wild Wood’.  ‘In the Heat of the Moment’ was the first single and the first preview we got of the new album and is a solid Noel solo track with a nice groove throughout it featuring a big chorus “The more that you want it/The more that you need it/I know that you’ll be by my side/In the heat of the moment/When the thunder and lightning come/I know that you’ll be by my side” backed with a series of “Nah-nah-nah-nah’s”.  You will no doubt have heard this track by now and know what we’re all about here.  After another short excerpt from the studio ‘The Girl with X-Ray Eyes’ opens with a reassuringly, familiar acoustic rhythm from Noel and lyrics “Tried to hang on to myself/Don’t believe in no one else/Now I’m shaking like a leaf/As I fall into the street/But the girl with x-ray eyes/She can see through my disguise” and as the track progresses Tim offers some more slightly psychedelic backing guitars to Noel’s acoustic guitar which at times remind me in sound a little of Oasis b-side ‘The Masterplan’.


‘Lock all the Doors’ sees a very raw and full-on Noel rock track. “She wore a star-shaped tambourine/Prettiest girl I’d ever seen/Standing lost and lonely on the shore/I tried to catch her every night/Dancing on the road in her candlelight/But I can’t seem to reach her anymore”.  This is great number with a really infectious melody to it, to an extent like ‘Up in the Sky’ but more in the vein of Oasis’ ‘Morning Glory’ and it’s good to see a Noel write a rocking number like this that shows more than a nod to the ‘Definitely Maybe’ days and this will certainly become a live favourite.  Midway through the album ‘The Dying of the Light’ sets a more sedate tone, a lovely, soulful ballad with soft vocals from Noel complimented by Mike Rowe’s gentle keys, an acoustic partnership that has worked well over the years, and we find Noel in reflective mood here “And I was told/The streets were paved with gold/And there’d be no time for getting old when we were young/It’s alright/If you dance with me tonight/We’ll fight the dying of the light and catch the sun.”  Continuing with an acoustic vibe ‘The Right Stuff’ initially sees the band gently jamming away at its opening, a very trippy yet chilled track, with the saxophone making its second appearance on the album here and openly flirting with light jazz, while the latter of the track features a trademark Gallagher guitar solo intertwined with some more jazz saxophone; a psychedelic number midway through the record.  Moving to a much more upbeat tempo and rhythm ‘While the song remains the same’ is a jolly number with pulsing synths and bass and teasing slide-guitar notes throughout “Found me a place/Where the sun shines through the rain/And there is pleasure in the pain/And the song remains the same/And it goes on and on and on”.

With a heavy guitar-riff and wooden percussion forming the basis for it ‘The Mexican’ sees some driving no-nonsense rock perfectly formed for accompanying a road-trip “Thought I was talking about a new religion/Raining on the outside, lost in the fog/I was only dreaming of a revolution/Waiting for the right time, watching the clock”, while penultimate track ‘You know we can’t go back’ swaggers along confidently with an upbeat rhythm and groove and a rocky edge about it with Noel powering over the chorus “It’s alriiii-ght/But you know that we can’t go back”.  The track blends into the other previous single of the album ‘Ballad of the Mighty I’, which has a real heart and a catchy dance groove to it and lyrics, where I believe, Noel continues to question his path with God “Followed you down to the end of the road/To wait outside your window/In the heat of the rain I would call your name/But you just past me by” a similar theme which can be found on Oasis b-side ‘Listen Up’ and 'Falling Down' from Oasis' last album ‘Dig Out Your Soul’, showing there’s a deepness to Noel’s lyrics more than first meets the eye, and for me this closing track has a similar vibe about it as ‘Aka… What a Life’ from the debut album.



‘Chasing Yesterday’ is another fine record from Noel, with a comforting, recognised feel about it.  Let’s make no bones about it, as a songwriter Noel has his style that we’re all familiar with and this has of course worked successfully well over the years and rightly sees him as a songwriter of a generation. I feel there a number of tracks here showing Noel’s song writing at a matured, mellowed age with ‘Riverman’, an excellent opener, and ‘The Dying of the Light’ being two examples of the quality of this here.  ‘Lock all the doors’ and ‘The Mexican’ have a real full-on rock edge about them and are good songs in their own right, and I’m pleased that Noel has shown some more of his earlier roots with these two rocking numbers.  Overall this is a mellow, chilled album perfect for early morning easy-listening or backing for a long car drive and I’m going to give this one 8 Riverman’s out of 10 as this is a nice follow-on from the debut album which shows some progression while maintaining a comforting air of familiarity about it and a record that I think Noel fans will really get a lot out of and enjoy.

Lock all the Doors
Flynny

Track 2 – ‘In the Heat of the Moment’

Track 10 – ‘Ballad of the Mighty I’

Band website:


  • Noel Gallagher's High Flying Birds - setlist from The Dome 2nd Feb 2015

  

Tuesday, 20 May 2014

Flynndie Reviews: #47 Oasis - Definitely Maybe (Re-mastered)


Written 20th May 2014

Oasis – Definitely Maybe (Re-mastered)

The Band: Liam Gallagher (lead vocals), Noel Gallagher (lead guitar/backing vocals), Paul 'Bonehead' Authurs (rhythm guitar), Paul McGuigan (bass), Tony McCarroll (drums)

“It’s about getting a bottle of cider with your mates, sticking on a Beatles album, talking shite, puking up, meeting strange girls and maybe having sex.  It’s about escaping.” – Noel Gallagher, 1994

This week saw the release of a re-mastered, deluxe edition of the seminal Oasis record ‘Definitely Maybe’ to mark the 20th anniversary of the Manchester band’s debut album.  The deluxe edition features a rather smart, hard-bound booklet with some great early images of the band in their prime younger days and features the 3-disc collection:

Disc 1 – Definitely Maybe (re-mastered)
Disc 2 – Definitely Maybe singles b-sides
Disc 3 – Live tracks and demos

Definitely Maybe

1. Rock ‘n’ Roll Star
2. Shakermaker
3. Live Forever
4. Up in the Sky
5. Columbia
6. Supersonic
7. Bring It On Down
8. Cigarettes & Alcohol
9. Digsy’s Dinner
10. Slide Away
11. Married with Children

As soon as the opening guitar solo of ‘Rock ‘n’ Roll Star’ hits, you instantly realise that this album still remains a timeless classic and sounds as great now as it did back in ’94.  Liam in the past has suggested that this opening track is “the most arrogant song ever; to be playing that in-front of two people in The Boardwalk, those were the days” and he makes no bones about it as he sneers “Toniiiiight, I’m a Rock ‘n’ Roll Star”.  ‘Shakermaker’ was a much more stripped-down, psychedelic number for early Oasis laced with trippy lines “Mr Sifter sells me songs when I was just sixteen/Now he stops at traffic lights but only when they're green”.

However it’s third track and third single ‘Live Forever’ which made people sit up and take notice that there was something special about this cocky, swaggering 5-piece from Manchester as despite being so early in his musical career Noel penned a modern masterpiece with one of Liam’s best early vocals and without question this track remains a timeless classic.  With an upbeat, buzzing riff ‘Up in the Sky’ sees Oasis at their effortless-cool here, calling the shots as they see it while sticking two-fingers up to the authority figures of the establishment “You need assistance with the things that you have never ever seen/It’s just a case of never breathing out before you breath it in” before ‘Columbia’ takes us on Noel’s over-indulgent, acid-trip through guitar-heavy psychedelia and sees Liam remaining on snarling, nasal over-drive with this no-nonsense raw track. 

It’s perhaps midway through the album when Oasis unearthed their jewel in the crown, with a firm live and fan-favourite ‘Supersonic’ still riding high on the crest of a wave of alcohol and drugs and the opening one line that immediately summed up what the band were all about “I need to be myself/I can’t be no-one else!”  Simple but never more directly to the point.  ‘Bring It On Down’ saw the band at their most raw expansive sound on the record with thunderous drumming and driven, duelling guitars from Noel and Bonehead like there was no tomorrow, before we had the cool, free-for-all that was ‘Cigarettes and Alcohol’ which smartly “borrowed” the main guitar-riff from T-Rex’s ‘Get It On’ and became another famous anthem for the band with many imitating Liam’s infamous “You could wait for a lifetime/To spend your days in the sunshiiiiiine” vocals.



‘Digsy’s Dinner’ was another jolly, upbeat number featuring some of Noel’s more funny and light-hearted lyrics “What a life it would be/If you could come to mine for tea/I’ll pick you up at half-past three/We’ll have lasaaaange”, before we had the brilliant and tender rare early Oasis ballad in the form of ‘Slide Away’ another triumphant moment on the record: “Slide Away/And give it all you’ve got/You’re mine today/Fell in from the top/I dream of you and all the things you say/But I wonder where you are now?”  Beautiful.  ‘Married with Children’ closed the album and was initially considered to be a throw-away tongue-in-cheek track but there is still no question that this is actually a good song and showed the stripped-down more charming-side of Oasis buried under their fierce rock ‘n’ roll armoury.

Disc 2 of this package featuring the b-sides of the Definitely Maybe singles is where this collection unearths some real Oasis gems.  Early demo’s such as ‘I Will Believe’ and ‘Alive’ show the band at their early effortless raw live sound, while acoustic numbers ‘Sad Song’, ‘D’Yer Wanna Be a Spaceman?’ and ‘Half the World Away’ showed subtle hints of what were bigger things to come from Noel while armed with an acoustic guitar.  Throw in tracks such as the baggy ‘Cloudburst’ to the more instant rock ‘n’ roll ‘Fade Away’ and ‘(It’s Good) To Be Free’, then the simply brilliant ‘Listen Up’ and it’s staggering to think Noel was simply pissing-out these tracks with such ease yet only deeming them good enough as b-sides at the time!  Finally throw in a third disc featuring some early rare, no-nonsense live performances when Oasis were truly hungry for it to fully round of this collection and this all adds to a great little nostalgic package of the sound of ‘94 and which in my opinion is still an essential collection for any discerning, die-hard Oasis fan of today.  

Feeling Supersonic
Flynny

Track 1 ‘Rock ‘n’ Roll Star’ live from Southend Pavilion 17/04/1995
https://www.youtube.com/watch?v=G667xH7euIY       

Track 6 ‘Supersonic’ – Oasis TV debut live for The Word 18/03/1994
http://www.youtube.com/watch?v=81Z-WRuQe2w     

Bonus Track ‘Sad Song’ live from Southend Pavilion 17/04/1995
https://www.youtube.com/watch?v=tFTpc57DrCE

Band website:
http://www.oasisinet.com         

Friday, 9 December 2011

Flynndie Reviews - Blog #21: Top 8 Albums of 2011 - Part 2


Written 8th December 2011:

Top 8 Albums of 2011 – Part 2

So following on from my last Blog today sees me countdown my favourite Indie albums of 2011 for the inaugural and undisputed crown of ‘Flynndie Album of the Year!’ If you missed the first part of this Blog containing my album choices from #8 to #5, simply scroll down this page a bit further and you can read about these choices in Part 1. So let’s move on to today’s Top 4 albums, starting with the return of The Chief and his much-anticipated debut solo album:


#4. Noel Gallagher’s High Flying Birds (Previously Un-reviewed)

So some 18 months after the fall-out of leaving Oasis and keeping a low-profile while Beady-Eye released their debut album, the main song-writer behind Oasis finally got round to releasing his own solo debut effort. Now I mainly previously didn’t review this album as I suspected most people would go out and buy this anyway and I like to try and highlight and promote some lesser known Indie bands on this Blog, but if the truth be told even during the days of Oasis, I secretly much-longed for a Noel solo album and now that it finally arrived, it didn’t disappoint in my opinion and in fact exceeded my high expectations. Even upon first few listens to this record, Noel’s songs have that re-assuring familiar sound about them, as if they were songs that you knew and loved already but refreshingly in my opinion not just sounding like another Oasis album. Take ‘AKA… What a Life’ as a prime example of this, having a much more dance-vibe to it than anything Oasis would have released in recent years.

This for me is another reason why I much prefer this album to recent Oasis releases, as by going solo Noel is allowed to express his songs in a more creative manner as is shown in tracks ‘Everybody’s on the Run’ with its backing violins and (I wanna live a Dream in my) Record Machine featuring a full-choir backing, allowing these tracks to have somewhat more added depth to them. Then there are tracks such as ‘If I had a Gun’ and ‘AKA…Broken Arrow’ which are familiar sounding Noel tracks, but tracks written when he is at his song-writing best and, dare I say it, even on a par with some early Oasis B-sides which is high praise indeed. So if you’ve avoided the album so far due to a somewhat ‘loss of faith’ in recent Oasis albums, then I’d recommend you give this debut-solo effort a listen and see what one of the generations top song-writers is capable of without the responsibility of ‘being Oasis’!

Recommended Songs: ‘Everybody’s on the Run’, ‘If I had a Gun’, ‘AKA…What a Life’
Personal Favourite Track(s): ‘Soldier Boys and Jesus Freaks’ and ‘AKA…Broken Arrow’


#3. Arctic Monkeys – Suck It and See (Reviewed in Flynndie Reviews Blog #13 – 8/10)

Back with their 4th album this year were, arguably one of the most followed bands in the Country right now, Sheffield’s own Arctic Monkey’s with their latest offering ‘Suck It and See’. A bit like the forthcoming 4th album by Kasabian this year, after the Monkey’s 3rd album 'Humbug', I was a little bit unsure what to expect from their latest offering. What we got was another well-written, self-assured record with familiar big sing-a-long tracks and another batch of great Indie-rock tracks the Arctics can add to their ever-expanding hits-list! The band have effortlessly created swooning-Indie tracks such as ‘She’s Thunderstorms’ and ‘The Hellcat Spangled Shalalala’, to catchy guitar-pop on ‘Brick by Brick’ and ‘Don’t sit down cause I’ve moved your chair’, to the old-school, more fast-and-furious Arctic Monkey’s track such as ‘Library Pictures’.

I very much enjoyed this record upon its release and am still very much enjoying it upon regular listens, although I’m still slightly of the opinion that the clearly laid back approach the band took to this album, gets a little bit too laid back for my liking on one or two tracks towards the end of the album, therefore not quite putting it on as high a par as the first two Arctic Monkey’s records. However, this is still certainly another great album by these young Sheffield lads and certainly one I’m still enjoying very much hence it’s high-position on this end of year list, but then I’m guessing most of you already reading this know this.

Recommended Songs: ‘Brick by Brick’, ‘The Hellcat Spangled Shalalala’, ‘Don’t sit down cause I’ve moved your chair’
Personal Favourite Track: ‘Library Pictures’


#2. Bombay Bicycle Club – A Different Kind of Fix (reviewed in Flynndie Reviews Blog #17 – 9/10)

Back with their 3rd album in as many years, Bombay Bicycle Club returned with their latest offering ‘A Different Kind of Fix’. As I’ve previously said with a couple of other albums on this list, I really wasn’t sure what to expect from the band’s latest record, as was such a contrast between their 1st electric-rock Indie album ‘I had the blues and shook them loose’ and their follow-up, the stripped-down, lo-fi acoustic ‘Flaws’ I genuinely was not sure what type of sound the band would come back with next. What we got this year with ‘A Different Kind of Fix’ was a great blend of the sounds on Bombay Bicycle Club’s 1st two albums in my opinion and arguably their best to date! The first we heard from this new record was early single ‘Shuffle’ which, if truth be told, was actually different still to anything the band had done previously on their first 2 albums, featuring, as what I described in my review at the time, a hip-hop based piano loop throughout it and having a very distinct, yet brilliant, sound for the band to it indeed.

Throw into the mix, the rocky and slightly more edgy guitar tracks the band featured more on their debut album on tracks here such as ‘Bad Timing’ and ‘What you Want’, to the simply, brilliant flowing acoustic tracks ‘How can you swallow so much sleep’, ‘Lights Out, Words Gone’ and my personal favourite track, the epic ‘Beggars’, the band on this record really define their own sound here more so than their first two albums in my opinion. As a whole, this is a very well written record, full of rhythm and some brilliantly written tracks, that flow effortlessly and surely now is the time for the band to take a well-earned break?!

Recommended Songs: ‘Bad Timing’, ‘Your Eyes’, ‘Shuffle’, ‘What you want’
Personal Favourite Track: ‘Beggars’


#1. The Strokes – Angles (reviewed in Flynndie Reviews Blog #12 – 9/10)

So here it is, my #1 favourite Indie album of 2011, ‘Angles’, the 4th album from New York’s own The Strokes. If you believe some music reviews about The Strokes, you may be under the impression that they have only released one record, their exceptionally brilliant debut album ‘Is This It?’ but for me their 2nd and 3rd albums ‘Room on Fire’ and ‘First Impressions of Earth’ respectively were both fine guitar records and although I would be the first to admit that it will always be difficult for the band to make a better album than their excellent debut record, this 4th effort ‘Angles’ is the closest they have come so far to anywhere near matching it. One of the criticisms the band so unfairly receive in my opinion is that people want to hear similar tracks on a par with those such as ‘Last Nite’ or ‘New York City Cops’ from ‘Is This It?’ but this is one of my fascinations about The Strokes is that they are prepared to try something a bit different on a guitar record and this album is an excellent example of the band trying to capture ‘new’ guitar sounds.

Possibly their most experimental album to date, I feel the band really try and push the boundaries of what a modern-Indie guitar record can sound like, from the opening and simply brilliant track ‘Machu Picchu’ (possibly my favourite opening track on an album for a few years!), to early single ‘Under Cover of Darkness’, another brilliant track in my opinion, right up to closing track ‘Life is Simple in the Moonlight’ which actually does sound like a typical, old-school Strokes track that some fan’s still crave for. For me though, this album is full of stand-out tracks such as the menacingly, dark ‘You’re so Right’ to the incredibly catchy ’Taken for a Fool’ every track on this album is very distinct but seem to have so much depth to them. Upon my first few listens of this album, I admit I struggled with it a little initially, yet it’s testament to how well written and how much depth this album has, that it continued to grow on me and get better and better with each listen. As I said in the 2nd paragraph of Part 1 of this list, I’ve tried to rate albums on this list based on how much I found myself listening to them throughout the course of the year and for me ‘Angles’ has to be my most listened to album in this case and hence my favourite Indie album of 2011!

Recommended Songs: ‘Under Cover of Darkness’, ‘You’re So Right’, ‘Taken for a Fool’, ‘Life is Simple in the Moonlight’
Personal Favourite Track: ‘Machu Picchu’

So that concludes my Top 8 albums of 2011 list. Other worthy mentions on records that narrowly fell short of this list include The Vaccines ‘What did you expect from The Vaccines?’, Miles Kane ‘Colour of the Trap’, The Rifles ‘Freedom Run’, Chapel Club 'Palace', Roddy Woomble’s ‘The Impossible Song + Other Songs’ and Dutch Uncles 'Cadenza' all albums I would recommend to check out at some point.

Looking forward to 2012 I’m already looking forward to new album releases from some of the following bands, Howler, The Twilight Sad, Maxïmo Park and Muse, keeping my fingers cross to hear some new material from hopefully Bloc Party and Idlewild and of course looking forward to any new up-and-coming bands that 2012 brings with it.

Rocking into 2012
‘Flynny’